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MCG Newsletter - April 2004

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PRESIDENT'S  MESSAGE

The year is speeding by and it will soon be time for the AGM, which will be held on 5 May before our monthly lecture.

As I stated in last month’s message, all positions are open for contention and I must regretfully report I have been ‘underwhelmed’ with the number of enquiries concerning Committee and team positions.

Without your help the MCG cannot remain viable, so please step forward and volunteer a little, or a lot, of your time for your group!

The EP team needs some ‘worker bees’ to help share ideas and do some of the basic work, i.e. taking reservations and monies at events—being new to KL shouldn’t deter you, we have oldtimers to show you the ropes.

The EP team has another interesting month planned for you. One of our members Heba Barakat, Curator at the Islamic Arts Museum will guide us through two events: one concerning Islamic calligraphy and manuscripts, and another detailing Islamic architecture.

We will also visit Yayasan Restu, a private foundation, where we will see female artists and calligraphers producing the Nur Fatimah, the only Quran in the world produced completely by women. I have had an opportunity to see them at work and it is really fascinating.

Last, but certainly not least, MCG treasurer, Arlene Weatherdon has resigned due to other commitments. Thank you Arlene for a job well done! While a committee member, she revamped our system to make it more user-friendly, so if any of you have an inclination in this area, we need your talents! Luckily, Jacqui Chan has offered to help out for this interim period, but she works fulltime and is unable to take it on permanently. Thanks ahead of time Jacqui, for helping us out!

If you want to find out more about this, or any position, please contact me.

Hope to see you at one of our terrific events!

- Cindy Zeier


Additional Annoucements:

2004 AGM Forms

The Malaysian Culture Group AGM will take place on May 5th.

  • Nomination forms can be found here.
  • Proxy voting ballots can be found here.

PROGRAMME OF EVENTS

 
   April 2004
Sun Mon Tue Wed Thu Fri Sat
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ALL SOULS' DAY
Ch’ing Ming Excursion
Thursday, 1 April


Here is your chance to learn more about Chinese traditions and superstitions connected with death, mourning and grief, but this isn’t necessarily a day of sadness, rather a day when filial Chinese pay their respects to the spirits of their departed ancestors and pray for their souls.

Families will be seen cleaning family tombs, lighting candles, burning paper money and offering food, wine and maybe, even a bottle of Guinness! We will first visit one of the oldest cemeteries in KL and then travel on to Nilai Memorial Park, a huge cemetery with excellent “Feng Shui” burial grounds. This is a guided tour and bound to be a very special experience, so make you reserve your place as soon as possible if you are interested.

Note: Please wear comfortable clothes and shoes; no shorts or low-cut tops. You may want to bring a bottle of water, a hat or an umbrella, as this will be a walking tour for the most part.

- Back to Events Calendar -

 

1ST WEDNESDAY OF THE MONTH LECTURE SERIES:
Al-Kalima—Glory Through Calligraphy
Wednesday, 07 April


Decorative writing, or calligraphy, is one of the highest art forms in the Arab world. While many religions have made use of figural images to convey their prime convictions, Islam instead began using various shapes and sizes of words and letters.

Because their leaders saw in figurative art possible idolatry, they looked to the artistry of calligraphy for religious expression. Therefore, in Arabic and Islamic culture, calligraphy became a highly respected art form. In Islam, the significance of calligraphy cannot be underestimated; it is the very essence of the religion and Islamic manuscripts have been a source of fascination for centuries. These precious manuscripts are a collaborative effort shared among the miniature painter, the illuminator and the calligrapher, who together produce a work of art.

Join Dr. Heba Barakat, MCG member and Curator at the IAAM as she guides us through ‘Calligraphy 101’. The development of Arabic calligraphy did not follow a linear movement. Instead a number of forms appeared simultaneously. How do we recognise the different forms? What is their significance? Heba will answer this and much more. So please come and learn more about this beautiful art form.

- Back to Events Calendar -

 

ISLAMIC ARCHITECTURE
The Art of the Mosque
Tuesday, 13 April


If architecture exemplifies the identity of people and civilisations, then this is especially true when one studies the great variety of mosque designs all over the world.

Today we once again visit the IAMM, where Dr. Heba, an expert in this field, will guide us through the gallery dedicated to mosques from around the world.

Learn about the similarities and the differences. What qualities make architecture uniquely and distinctively Islamic? The gallery has many beautiful models on display, including mosques from Mecca, Medina, Cairo, Samarkand, Kelantan, and Xian, just to name a few.

This is a very informative and revealing tour, so make your reservation quickly, if you are interested.

- Back to Events Calendar -

 

TRUE FREEDOM
A Film & Talk on Women Freedom Fighters
Tuesday, 20 April


Today we are privileged to have a special screening of the documentary, ‘Asli Azaadi’ (True Freedom), which is about the surviving women freedom fighters who fought for Independence from the British. The film includes a segment on the Indian National Army, which included conscripts of Indian origin from Malaysia, Thailand, Singapore and Burma. ‘True Freedom’ has received good reviews at the Norwegian Film Festival and Golden Gate Festival, San Fransisco, and was broadcast on national network television in India.

The filmmaker herself, Sagari Chhabra, will be introducing the film and will be fielding questions from the audience about the film and her work. Sagari is actually a poet and author (‘The Professional Woman’s Dreams’), and is currently a Fellow of the Asia Foundation affiliated to the Department of Media, Faculty of Arts & Social Sciences, University of Malaya. She is in Malaysia only for the next few months.

Do come to this screening as it is a rare opportunity to be able to meet with the filmmakers themselves.

- Back to Events Calendar -

 

NUR FATIMAH
Islamic Splendour With A Malaysian Twist
Monday, 26 April


The Islamic Arts Park Complex is a non-profit organisation dedicated to the production, exhibition and development of Malaysian Islamic arts.

This new venture is managed by Yayasan Restu (Restu Foundation), which the Explorers group originally visited two years ago in their cramped space in Sungei Buloh.

(Read the Explorers' Group trip review here.)

Yayasan Restu was formed in 1994 to produce the first Malaysian copy of the Quran, known locally as Al-Quron Mushaf Malaysia and now insured for RM20 million!

Most of the time when we think of Islamic art, we think of the Middle East, but at Yayasan Restu they are dedicated to promoting the local style of Islamic arts, and have collected over 300 varieties of designs and symbols from throughout Malaysia, which have been detailed in their works.

We will have a chance to tour the entire complex, but our main focus will be to see the calligraphers, artists and illuminators busily working on the Nur Fatimah, the first hand-copied edition of the Quran ever to be compiled by women in the world! Please join us for what will be an interesting and educational morning.

- Back to Events Calendar -

 


REPORTS   FROM   PREVIOUS   EVENTS

EXPLORERS LAWAT RUMAH PENGHULU — 09 February

This Monday the explorers visited the Rumah Penghulu Abu Seman, a traditional Malay house located in the centre of town on Jalan Stonor 2, next to the mock Tudor bungalow that houses Badan Warisan Malaysia (Heritage of Malaysia Trust).

We all got together for a tour of the house and an introduction of the ceramic exhibition of Mr. Cheah Yeow Seng and his students.

Ms. Ee Lin of Badan Warisan gave us a tour. She showed us around in the house and gave an explanation on how a Kedah village headman (penghulu) used to live, from where the house was located originally.

This house (rumah) is particularly large as it belonged to a village headman. His office was also in the residence and a fairly large area at the entrance was where meetings were held.

Ee Lin introduced us to Malay family life by showing us the living quarters, such as living room, bedrooms and kitchen. The house is furnished in the style of the early 1930s.

She explained the typical Malaysian carvings with which the house is decorated and also gave us insights on how the house was built.

After the tour we watched a film about the house. It showed how the house was carefully taken apart, transported and then built up again in the present location. With that we ended the first part of the morning on the Rumah Penghulu. Then there was time for tea and some delicious Malaysian snacks.

At Badan Warisan there is a space reserved for exhibitions and the current exhibition was on the pottery of Mr. Cheah Yeow Seng and his students.

Mr. Cheah came personally to show us around. He has extensive experience as a ceramist and pottery instructor. He told us about how the pottery was made with diverse techniques. The students had made vases, bowls, and also saucers and teacups. Some of the items were purely decorative, but others were glazed in such a way that they could be used in daily life.

It was a joy to look at all the diverse styles, different materials and colours. I was surprised at what beautiful items were created by the students.

Mr. Cheah’s own creations has a certain style and class that showed his long experience as a ceramist. Some of his creations are vases that had become statues of couples and some were statues on their own. The colours and glazing varied and went from matt black to shiny blue and lots of earthy shades.

Mr. Cheah has his own studio, called Touch of Clay, in Segambut not far from the centre of KL, where interested people can attend a course in which they can master the different techniques of pottery making. I can certainly recommend it as I have started it myself and am enjoying it greatly.

Here with we ended another great explorers’ morning. Members can take visitors to Badan Warisan everyday (except Sundays). More information can be found at http://www.badanwarisan.org.my
- Ardy Timmer

 

REIKI — A GATEWAY TO HEALTH & HEALING - 19 February

Our speaker Kaycee Goh, a certified Reiki master and teacher from UAC Holistic Centre in Taman Melawati, was the epitome of serenity and charm. Throughout her talk the audience was swathed in an unmistakable feeling of wellbeing. The way Kaycee explained, Reiki seeks the wellbeing of body, mind and spirit and seems to be easily accessible to everyone, provided one’s intentions are sincere.

After relating how she became involved in Reiki, Kaycee touched briefly on its history, that it was an ancient healing method revived in Japan in the late 19th centuryby Dr Mikaomi Usui.

Rei means universal life. Ki means energy (from the environment or life source).

It is a therapy in which the outer energy flows through the master’s body via his/her hands onto the patient and energises healing on a physical, mental or emotional level. The master acts therefore as a mere channel. The master’s hands do not touch the patient but move about 5 cm above the body. Besides healing, the placing of hands rids the body of toxins, removes energy blocks and creates a feeling of deep relaxation. For this purpose the master and the patient must be in a pure and relaxed state. Cindy kindly volunteered for a treatment demonstration, which took about 15 minutes (a normal session lasts 45 mins–1 hr).

The “patient” and the audience were asked to close their eyes so that everyone may receive some form of energy. We were allowed to peep though!

Kaycee moved her hands very slowly over the 7 primary chakras of Cindy’s body, starting from the top of her head. The master thus identifies and concentrates on weak points.

Once done, she asked Cindy to describe what she had felt and a few members also described their sensations. The main comments were: warmth in hands, muscle pulls or jerks, tingling, tummy rumbles.

Kaycee added that some patients see images or feel a faster heart beat, some have negative thoughts and most are so relaxed that they fall asleep.

All these are signs of Reiki working away. Kaycee mentioned that “absent healing” is also possible.

Protection — Reiki applications are manifold. First and foremost, it can be used for personal protection at all times. Protection may be extended to your house, car and pets, to name but a few. You may also use it to calm overexcited children.

Classes — Reiki is taught at 3 levels. Level 1 is for self-healing. Level 2 deals with the use ofsymbols and colours, and is for healing others (it is also called “advanced healing technique”). Level 3 is for aspiring teachers. Surprisingly enough, levels 1 and 2 can be learned in 2 days.

There were many questions from the audience. Some members were more sceptical than others, but Kaycee managed to answer all queries very convincingly.

She concluded by stressing that Reiki is a spiritual and not a religious concept. For my part, I was amazed at the extent Reiki applies to all facets of life and the seeming ease with which it can be learned and applied.

Kaycee has also written a book about Reiki called Practising Reiki–Background & Philosophy, Treatment, Related Therapies (ISBN: 1-85534-362-2), available at the UAC.
- Colette Hassan

Errata (added April 20) - Please note that the speaker's name in the report on the Reiki talk should be Kayce Goh. There should also be a distinction between "master" and "practitioner": a practitioner can only heal while a master can both teach and heal. There are three basic levels in Reiki training, where Advanced Reiki Techniques 3A is an additional level. Level Two is not Advanced healing technique. Finally, the book mentioned is not written by Kayce Goh. Anyone interested in Reiki and the UAC classes may contact the Events Planning team (mcgevents@yahoo.com) for details.

 

BANANA LEAF LUNCHEON - Cuisine of Southern India - 23 February

I woke up on the Tuesday morning with mixed feelings. I was going to an MCG event and that was good, but this time I had been given the job of writing up the occasion and I was a bit nervous about that when I set off for the home of our hostess Manju Saigal.

We gathered in a large airy room and then it was time to decide whether to sit inconspicuously at the back, or bravely in the front. The recipes were handed out and every seat was rapidly filled.

Manju introduced us to Suja who is a Tamil Brahmin. Although she had spent most of her life abroad, Suja is very knowledgeable of the customs of South India and was pleased to tell us about her early life in Madras.

Four dishes were demonstrated: Chicken Varuval, Sambar Dal, Cabbage with Coconut and Carrot Pachadi. Manju and Suja cleverly made the recipes attractive and full of flavour, but simple enough to tempt us to try them at home. We were given information on the historical uses of the ingredients and the various spices as they were added to the dishes. The aromatic qualities of Indian cooking added to our enjoyment and we became very enthusiastic about tasting the results.

Cindy had warned us to all to dress comfortably and the reason for this rapidly became apparent when we saw the banana leaf ‘plates’ laid out on the floor. It was surprising how many members were able to sit crossed legged with apparent comfort!

Spoons and forks were provided for the faint hearted but Suja introduced us to banana leaf etiquette and explained that you eat with the tips of your fingers only—a skill that takes practice.

The banana leaf is laid horizontally on the floor and the main dishes are traditionally served below the leaf ridge and the accompaniments above.

When the meal is finished the leaf is folded away from you, and in India the leaf would then be fed to livestock. The cuisine of South India is more rice-based than in the North. Vegetables are less overcooked, sour and bitter tastes are enjoyed and less meat eaten.

There are large numbers of vegetarians in the South and West of India for a number of traditional reasons. Suja explained that the Brahmins are a priestly caste and must try to conquer their physical desires, thus their cooking does not include garlic and onions (which are considered aphrodisiacs) or hot spices (which may lead to anger).

The food was delicious, full of flavour with each dish complementing the others. We learnt that to cook with the style and panache shown by Manju, great skill and knowledge is required plus prior preparation.

We all thoroughly enjoyed the lesson, lunch, the company of our hostesses, and mixing with other members. Thanks to the events planning committee for another successful occasion.

P/S. Being the scribe was not as arduous or daunting as I had feared, but in future I will certainly be more appreciative of the work done by other contributors!
- Joan Hunter

 

HINAMATSURI: Japanese Girls' Day - 03 March

Today, MCG members celebrated Hinamatsuri at Wa-Raku Japanese Dining House on Jalan Stonor.

We thank Junko Harada, Miki Udagawa and Mariko Konishi for organising this special event, which included a talk by Junko about the various Japanese festivals (matsuri) and the history of the dolls (hina) associated with Hinamatsuri. That led to a session when we made our own origami hina, after which was kaiseki-ryori or “lunch”.

Japan celebrates 5 major seasonal festivals (go-sekku). The original meaning of sekku is to eat together with the gods. These festivals were introduced from China and are based on animism, mythology and feng-shui. Each festival is celebrated in a month with an odd number of days and has its own seasonal flowers and special offerings to the gods.

  • January 7th – Celebration of the coming of spring when a special offering of 7 kinds of wild vegetables cooked in porridge is made.
  • March 3rd – Hinamatsuri or Girl’s Day is celebrated before the planting of the rice fields. Originally, this was a purification ceremony (Nagashibina) that involved the floating of paper dolls in a river to symbolise cleansing of sins. Offerings on this day consist of white rice wine and diamond-shaped rice cakes in three layers of white, pink and light green. The festive flower is the peach flower, which is believed by the Chinese to expel evil.
  • May 5th – Celebration of Boy’s Day when chimaki or sweet rice cakes wrapped in broad leaves is offered.
  • July 7th – Star festival celebrating the romantic story of two stars loving each other. A sasa or bamboo tree is decorated similar to a Christmas tree with lots of paper ornaments. Rice cakes of various shapes are offered.
  • September 9th – Chrysanthemum festival celebrating harvest time. In yin-yang philosophy, the number 9 is the most “yang” number. As the 9th day of the 9th month has a double 9, it is thought to be the extreme of yang. Yin is the dark side and yang is the bright side of everything. As September 9th is the peak of yang, after this date everything is thought to be in decline and winter approaches. This decline is also represented by death and chrysanthemum flowers are often used in funerals in Japan.

The history of dolls in Japan seems to have had rather morbid beginnings. Historical records tell of a lord who decided not to bury live slaves with the dead ruler, as was traditionally done, because their crying lasted too long. Instead he ordered that dolls made of clay (called dogu) be buried beside the coffin. When the philosophy of feng-shui was introduced, dolls made of wood, paper or rice straw were used to curse enemies. These dolls, used in place of live sacrifices and to curse enemies, may have been the origins of Nagashibina, or the purification ceremony, as Hinamatsuri was once celebrated.

Today, Hinamatsuri is the day when little girls display their favourite hina dolls, usually given by their maternal grandparents at their birth. These dolls are made of clay or porcelain with elaborate costumes often in expensive fabric. The dolls are carefully arranged on a set of step-back shelves displayed as an old-fashioned Japanese court, with the emperor and the empress at the top and other ranks below.

A full set consists of 15 dolls, including the emperor, empress, 3 ladies-in-waiting, 2 ministers, 5 musicians and 3 male servants. Friends are invited to admire the dolls and the young ladies, dressed in their best brightly flowered kimonos sit before the display and eat candies and other delicacies.

After Junko’s presentation, we folded and cut and folded some more to produce our own origami hina – the emperor and empress – with excellent direction and coaching from those who’d done it before!

When Chef Ando was introduced, we opened the lacquered boxes that were placed before us, to a stunning visual presentation of our lunch.

Japanese cuisine is derived from kaiseki-ryori, a series of light dishes served before the tea ceremony to ease the hunger of the guests.

Kaiseki means to hold a warm stone on one’s stomach to numb the pain of hunger. Kaiseki-ryori is also served at Haiku parties but in a casual manner where the dishes are served on one or two trays.

In each lacquered box there were five small beautifully arranged dishes and when you don’t know what you are eating, wasn’t it nice to have a diagram describing the delicacies in front of us!

Each dish had a name. The takimono agemono consisted of grilled salmon, yam, fish cake, egg roll, deep-fried fish and pickled lotus root; the nimono–yam, octopus and tofu; the gohan was sushi rice wrapped in baked egg; the kuchitori on hassun–yam with miso sauce, grilled shrimp, clam and vegetable tossed with fish-flavored vinegar, and the sashimi on omukoh was seabass. Green tea flavoured ice cream was the sweet ending to this gastronomic experience.

We were also treated to the fine voice of Miki who sang a Hinamatsuri song.

For those interested in more information about Japanese dolls and culture, two books that were on display – Identifying Japanese Dolls by Lea Baten (Hotei Publishing) and Japan: The Cycle of Life (Kodansha International Publisher)–are available for viewing at the library of The Japan Foundation in the Citibank Building on Jalan Ampang. The Japan Foundation also sets up its collection of hina dolls during the celebration of Hinamatsuri.
- Barbara Kerfoot

 


MCG NEWS

BOOK CLUB REPORTS

Chapter I
Interpreter of Maladies
by Jhumpa Lahiri
ISBN: 0-006-55179-3 (Flamingo Edition)

Inspired by the Oscars, we cast our votes for Favourite Character, Favourite Story, Least Favourite Character and Least Favourite Story, in this Pulitzer-winning short story collection.

The exercise was really more of a straw poll due to the small turnout. Nonetheless our different backgrounds and personalities meant thought-provoking nominations, and we had a lively discussion defending our own!

Almost unanimously disliked was Mrs Das (of “Interpreter of Maladies”), colourfully described by one member as “a total cow”. Mrs Das won for being selfish and self-absorbed. Despite her Americanised ways, she is still “too Indian” to break out of her marriage. But while we sympathised with this, we did not appreciate her callousness towards her children.

On the other hand, nearly all of us liked Mrs Sen (she of “Mrs Sen’s” naturally), the Bengali wife caught between her love for fresh fish and her loathing of driving. We empathised with her sense of alienation and homesickness, and were touched by the unique bond between her and the boy she baby-sits, Eliot.

In the least-liked category, the narrator of the last story, “The Third and Final Continent”, came in second. He was followed by Haldar (“The Treatment of Bibi Haldar”), Miranda (“Sexy”) and Shoba (“A Temporary Matter”).

The last story’s narrator isn’t fleshed out very well, although some of us liked the way he handles Mrs Croft, his landlady. This was why he also came in second as Favourite Character — such controversy!

Some members felt that a typical American tenant might have just ignored Mrs Croft, but the narrator’s culturally ingrained respect for his elders makes him treat her with perfect courtesy; in contrast to the way he first treats his new bride. A long-time bachelor, he is almost offensive in the way he doesn’t help her settle into her new life. It is only when Mrs Croft makes an approving appraisal of his bride that he sees her in a new light.

In the Favourite Character category, some members voted for Twinkle (“This Blessed House”) because of her ebullient disregard for her husband’s wishes in persisting to hunt, collect and display the mysterious Catholic tchotchkes left behind by their home’s previous owners.

Unfortunately, “This Blessed House” was voted Least Favourite Story. Some members felt that the proliferation of Catholic icons in the house was unrealistic. Surely the previous owners would have wanted to take them away?

Winner of Favourite story was “A Temporary Matter”. Members liked the twist at the end, and one said that it was interesting how the grieving couple hide their feelings from each other, since a white American couple might have sought marriage counselling by now.

A close second was “Interpreter of Maladies”. Some liked comically pathetic Mr Kapasi, the “interpreter” himself. Secretly lusting after Mrs Das, little does he know that when she does finally confide in him, her guilty secret will shatter all his daydreams and illusions about her.

The titular story is one of the best crafted in the collection. A couple of the others (for instance the over-long “Sexy”) are not as good. So even though she deserved the Hemingway Award for First Book, we felt Lahiri’s Pulitzer Prize was premature.

We ended by comparing the book to Mukherjee’s The Middleman and Other Stories. No prizes for guessing which collection we preferred. Where Lahiri is sweetly naïve, Mukherjee is bitter; where Lahiri “interprets” emotional truths, Mukherjee chooses technical virtuosity; while Lahiri sticks mainly to one ethnic group (Bengali), Mukherjee jumps among disparate immigrant ethnicities.

Chapter 1 thanks Joanne for hosting and the great quiche. We look forward to reading Lahiri’s first full-length novel, The Namesake, hopefully later in the year.
- - Olivia Tay

 

Chapter II
No reports submitted for Chapter II this month.

 


LIBRARY REPORT
Dear members, I would like to introduce you to some interesting books from our own library. You can really have any topic in mind and generally you will find something relevant in our collection.

Like ‘Singapore’, the city so close and at times so far away from KL. We have a number of books from which you can learn an amazing lot about the history of this city-state.

You can choose from academically-oriented books that describe the founding of Singapore:

  • The Story of Malaya and Singapore by J. Moore, P. Mackenzie
  • A History of Malaysia and Singapore by N.J. Ryan
  • Singapore: A popular history 1819–1960 by H.F. Pearson
  • A History of Southeast Asia by D.G.E. Hall

But you can also choose an easier way to learn about Singapore. I highly recommend some books that were written by people who had spent part of their lives in Singapore, e.g. the former Straits Times editor, George L. Peet, who started working in Singapore in 1923.

His book Rickshaw Reporter is so interesting. His descriptions are very fresh, covering the city and its inhabitants, not only on the circle of British civil servants, but on other communities as well.

To complete the picture, read the letters of the founder of Singapore, Sir Stamford Raffles, edited by J. Bastin, The Letters of Sir Stamford Raffles to Nathaniel Wallich 1819–1824. It is a tiny book with a lot of worthwhile information.

We also have an extensive collection of different articles published by MBRAS, such as Reprints–150th Anniversary of the founding of Singapore, where different writers offer history from different angles.

If you are interested in WWII, I recommend reading the book by Cecil Lee – Sunset of the Raj: Fall of Singapore 1942.

To get the secrets of Singapore’s success, don’t forget the book by former Prime Minister, Lee Kuan Yew – The Singapore Story.

I don’t mean to say that these are the only good books on the subject, but you definitely don’t need to buy them to read them! Come to the library, borrow, and then decide if they are worth investing for your private library.
- Renata Greplova

Note: Further information on the library can be found here

 


BOOKING POLICY FOR EVENTS

Reservations
When making email reservations for events, please send your full name (as it appears on your membership registration) to mcgevents@yahoo.com. Send one email for each event and place the event title on the subject line. Telephone reservations can be made Monday to Friday, however you will need to consult your paper newsletter to obtain the number of the committee member taking bookings for that particular event.

Wait List
Events Planning follows a policy of booking places for events on a first come first served basis. If an event becomes full then a wait list is created and participants will be informed as soon as possible if a place becomes available.

Vouchers

  • Vouchers are found in the paper copy of your monthly newsletter.
  • Please make a reservation (as outlined above) *prior* to sending in vouchers.
  • If Vouchers are received without an e-mail or telephonic reservation, there is no guarentee that your reservation is confirmed.
  • Voucher and payment must be RECEIVED BY DUE DATE to keep your reservation.
        Strictly no exceptions.
  • Please do NOT combine payments for multiple events in one cheque.
  • MCG is not responsible for reservations and/or payments sent to any person other than the Events Planning member identified as the contact person for the event.
  • Cancellations
    If for some reason you cannot attend a programme when you have reserved a place please let the Events Planning Team know as soon as you can. Cancellations received within less than 48 hours are only eligible for a refund if the vacancy can be filled from the wait list or if the person can find another member to take their place.

    Refunds
    Refunds can only be given if EP has 48 hours notice of a cancellation. Please note that some events have a cancellation time of longer than 48 hours, this will be indicated in the description of the event.

    Eligibility
    Please note that all events, apart from the monthly lecture are for Members only, unless otherwise stated.

    Event Participation
    Members are kindly requested to arrive promptly for events, with correct change on hand. Please turn off your cellular phones and refrain from talking during lectures and presentations.


    Your co-operation with the Booking Policy would be much appreciated by the Events Planning Team.


     
     


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